<?xml version="1.0" encoding="utf-8" ?><rss version="2.0"><channel><title>News Feeds for ANGEL RECORDS ARTIST</title><link>http://www.angelrecords.com</link><description>RSS News Feeds for ANGEL RECORDS ARTIST</description><language>en-us</language><copyright>&amp;copy;Copyright 2010, EMI Music</copyright><webMaster></webMaster><pubDate>Tue, 09 Feb 2010 16:35:22 GMT</pubDate><docs>http://blogs.law.harvard.edu/tech/rss</docs><ttl>180</ttl><item><title>US Exclusive Premiere of Libera's newest music video: TIME</title><link>http://www.angelrecords.com</link><description>&lt;p style=&quot;margin: 0in 0in 0pt&quot;&gt;&lt;span style=&quot;layout-grid-mode: line; font-family: Tahoma&quot;&gt;The distinctive sound of &lt;strong&gt;Libera&lt;/strong&gt; has traveled the world in the last few years, topping both mainstream and the classical charts around the globe. The boys in the group, under the musical direction of Robert Prizeman, come together to produce truly extraordinary music, with results unlike any other vocal group around today. &lt;br /&gt;&lt;br /&gt;Here is the US exclusive premiere of TIME from Libera's forthcoming album entitled PEACE - due out April 6th. Pre-order your copy here: &lt;a href=&quot;http://bit.ly/9Aa2Lk&quot; target=&quot;_blank&quot;&gt;http://bit.ly/9Aa2Lk&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;WATCH THE VIDEO HERE: &lt;a href=&quot;http://bit.ly/90Z5pH&quot; target=&quot;_blank&quot;&gt;http://bit.ly/90Z5pH&lt;/a&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13444</guid><pubDate>Wed, 03 Feb 2010 05:00:00 GMT</pubDate></item><item><title>TWO GRAMMY AWARDS FOR EMI &amp; VIRGIN CLASSICS!</title><link>http://www.angelrecords.com</link><description>&lt;p&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;EMI Classics / Virgin Classics are proud to announce to have received two Awards at the 52&lt;sup&gt;nd&lt;/sup&gt; Annual Grammys, which were held in Los Angeles last night. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;The Virgin Classics recording of &lt;strong&gt;&lt;span style=&quot;font-weight: bold&quot;&gt;Britten&amp;#8217;s Billy Budd, featuring Ian Bostridge and Jonathan Lemalu amongst the soloists and conducted by Daniel Harding&lt;/span&gt;&lt;/strong&gt;, won &lt;strong&gt;&lt;span style=&quot;font-weight: bold&quot;&gt;Best Opera Recording&lt;/span&gt;&lt;/strong&gt; while &lt;strong&gt;&lt;span style=&quot;font-weight: bold&quot;&gt;Best Instrumental Soloist Performance with Orchestra&lt;/span&gt;&lt;/strong&gt; went to the EMI Classics release of&lt;strong&gt;&lt;span style=&quot;font-weight: bold&quot;&gt; Evgeny Kissin&amp;#8217;s recording of Prokofiev&amp;#8217;s piano concertos nos. 2 &amp;amp; 3 with the &lt;/span&gt;&lt;/strong&gt;Philharmonia Orchestra / Vladimir Ashkenazy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;Many congratulations to our winners!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;Here are the details of our winning recordings to highlight in your local press releases to be circulated immediately and for your trade and marketing initiatives around the winners:&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;Best Opera Recording &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 9pt; font-family: Arial&quot;&gt;(Award to the Conductor, Album Producer(s) and Principal Soloists)&lt;/span&gt;&lt;/p&gt;
&lt;h4&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;Britten: Billy Budd&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;(Vigin Classics)&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 9pt; font-family: Arial&quot;&gt;&lt;br /&gt;Ian Bostridge, Neal Davies, Nathan Gunn, Jonathan Lemalu, Matthew Rose, &amp;nbsp;Gidon Saks&lt;/span&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;p style=&quot;line-height: 16pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 9pt; font-family: Arial&quot;&gt;Gentlemen Of The London Symphony Chorus&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 9pt; font-family: Arial&quot;&gt;London&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 9pt; font-family: Arial&quot;&gt; Symphony Orchestra / Daniel Harding &lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 9pt; font-family: Arial&quot;&gt;John Fraser, producer &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;line-height: 16pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 12pt&quot;&gt;Best Instrumental Soloist(s) Performance (With Orchestra)&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: 9pt; font-family: Arial&quot;&gt;(Award to the Instrumental Soloist(s) and to the Conductor)&lt;/span&gt;&lt;/p&gt;
&lt;h4&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;Prokofiev: Piano Concertos Nos. 2 &amp;amp; 3&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 10pt; font-family: Arial&quot;&gt;(EMI Classics)&lt;/span&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;p style=&quot;line-height: 16pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 9pt; font-family: Arial&quot;&gt;Evgeny Kissin, piano&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-weight: bold; font-size: 9pt; font-family: Arial&quot;&gt;Philharmonia Orchestra / Vladimir Ashkenazy&lt;br /&gt;&lt;br /&gt;For a full list of winners - click here: &lt;a href=&quot;http://bit.ly/6RhtTw&quot;&gt;http://bit.ly/6RhtTw&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13436</guid><pubDate>Mon, 01 Feb 2010 05:00:00 GMT</pubDate></item><item><title>NY Times reviews Diana Damaru's Carnegie Hall performance</title><link>http://www.angelrecords.com</link><description>&lt;strong&gt;Solid Renderings of Strauss and Other Stalwarts&lt;/strong&gt; &lt;br /&gt;By VIVIEN SCHWEITZER&lt;/nyt_byline&gt; 
&lt;div class=&quot;timestamp&quot;&gt;&lt;br /&gt;In &amp;#8220;Grossm&amp;#228;chtige Prinzessin&amp;#8221; from Strauss&amp;#8217;s &amp;#8220;Ariadne auf Naxos,&amp;#8221; Zerbinetta takes a &amp;#8220;Sex and the City&amp;#8221; approach to heartbreak, coquettishly insinuating that the despairing Ariadne needs a rebound fling. On Sunday afternoon at &lt;a title=&quot;More articles about Carnegie Hall&quot; href=&quot;http://topics.nytimes.com/top/reference/timestopics/organizations/c/carnegie_hall/index.html?inline=nyt-org&quot;&gt;&lt;font color=&quot;#004276&quot;&gt;Carnegie Hall&lt;/font&gt;&lt;/a&gt;, the stellar soprano Diana Damrau flirted her way through the treacherous vocal terrain of Zerbinetta&amp;#8217;s showpiece aria, vividly accompanied by &lt;a title=&quot;More articles about James Levine.&quot; href=&quot;http://topics.nytimes.com/top/reference/timestopics/people/l/james_levine/index.html?inline=nyt-per&quot;&gt;&lt;font color=&quot;#004276&quot;&gt;James Levine&lt;/font&gt;&lt;/a&gt; and the Met Orchestra.&lt;br /&gt;&lt;br /&gt;Click here to read more: &lt;a href=&quot;http://bit.ly/8TITnB&quot;&gt;http://bit.ly/8TITnB&lt;/a&gt;&lt;/div&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13423</guid><pubDate>Tue, 26 Jan 2010 05:00:00 GMT</pubDate></item><item><title>WNYC Soundcheck: Men With High Voices featuring Philippe Jaroussky</title><link>http://www.angelrecords.com</link><description>Sing Out: Men With High Voices&lt;br /&gt;January 21, 2010&lt;br /&gt;&lt;br /&gt;
&lt;p&gt;In the second installment of Sing Out, our series about singing, we look at male vocalists who hit the high notes. The &lt;em&gt;very&lt;/em&gt; high notes. Today: we hear about male sopranos in opera and discuss an enduring controversy, the rock falsetto. Guests include &lt;strong class=&quot;guest&quot; xmlns:wnyc=&quot;http://wnyc.org/xsl/ns&quot;&gt;Chloe Veltman&lt;/strong&gt;, host and producer of Voicebox, a weekly radio show on KALW-FM in San Francisco and the Bay Area culture correspondent for the New York Times; and the countertenor &lt;strong class=&quot;guest&quot; xmlns:wnyc=&quot;http://wnyc.org/xsl/ns&quot;&gt;Philippe Jaroussky&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click here to listen: &lt;br /&gt;&lt;a href=&quot;http://www.wnyc.org/shows/soundcheck/episodes/2010/01/21/segments/148376&quot;&gt;http://www.wnyc.org/shows/soundcheck/episodes/2010/01/21/segments/148376&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13421</guid><pubDate>Mon, 25 Jan 2010 05:00:00 GMT</pubDate></item><item><title>Maestro Pappano nominated for a BBC Music Magazine Award. Vote Now.</title><link>http://www.angelrecords.com</link><description>&lt;div class=&quot;watch-video-desc description&quot;&gt;&lt;span&gt;To vote for your favourite go to:&lt;br /&gt;&lt;a href=&quot;http://www.bbcmusicmagazine.com/awards2010&quot;&gt;http://www.bbcmusicmagazine.com/awards2010&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Nominees&amp;nbsp;for Best Choral Recording: &lt;br /&gt;Michael Gielen with SWR SO &amp;amp; Vocal Ensemble - Stravinsky:vocal works.&lt;br /&gt;Rene Jacobs with the Akademi fur Alte Musik Berlin - Telemann:Brockes-Passion.&lt;br /&gt;&lt;strong&gt;Antonio Pappano with the National Academy of Santa Cecilia - Verdi: Messa da requiem.&lt;/strong&gt; &lt;/span&gt;&lt;/div&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13419</guid><pubDate>Mon, 25 Jan 2010 05:00:00 GMT</pubDate></item><item><title>NY Times reviews Philippe Jaroussky's NY recital debut at Weill Recital Hall</title><link>http://www.angelrecords.com</link><description>&lt;p&gt;&lt;strong&gt;Baroque Dexterity Applied to Dark French Passions&lt;/strong&gt; &lt;br /&gt;By VIVIEN SCHWEITZER&lt;br /&gt;&lt;br /&gt;Like most countertenors, the French singer Philippe Jaroussky has specialized in the Baroque repertory, recording a number of impressive discs, including music by Vivaldi. &lt;/p&gt;
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&lt;div class=&quot;enlargeThis&quot;&gt;For his current recital tour Mr. Jaroussky is venturing outside typical countertenor territory and exploring French m&amp;#233;lodie, which made up the program for his New York recital debut at Weill Recital Hall on Thursday. The concert featured excerpts from &amp;#8220;Opium,&amp;#8221; his new disc on the Virgin Classics label. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Click here to read more: &lt;a class=&quot;tweet-url web&quot; href=&quot;http://bit.ly/75Z0b6&quot; target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;&lt;font color=&quot;#0084b4&quot;&gt;http://bit.ly/75Z0b6&lt;/font&gt;&lt;/a&gt; &lt;/strong&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13406</guid><pubDate>Tue, 19 Jan 2010 05:00:00 GMT</pubDate></item><item><title>Ionarts on Vivica Genaux</title><link>http://www.angelrecords.com</link><description>&lt;span style=&quot;LINE-HEIGHT: 1.6&quot;&gt;
&lt;h3 class=post-title&gt;&lt;a href=&quot;http://ionarts.blogspot.com/2009/12/vivica-genauxs-attachment-to-italy.html&quot;&gt;Vivica Genaux's Attachment to Italy&lt;/a&gt; &lt;/h3&gt;
&lt;div class=post-header-line-1&gt;&lt;span class=post-author&gt;by Charles T. Downey&lt;/span&gt;&lt;br&gt;&lt;br&gt;Mezzo-soprano Vivica Genaux has been in Vienna this fall, singing the title role of Rossini's &lt;em&gt;Tancredi&lt;/em&gt; (we &lt;a href=&quot;http://ionarts.blogspot.com/2008/04/washington-concert-opera-bianca-e.html&quot;&gt;&lt;font color=#5588aa&gt;last heard her&lt;/font&gt;&lt;/a&gt; in Washington in Rossini, and in &lt;a href=&quot;http://ionarts.blogspot.com/2006/10/siege-of-baltimore.html&quot;&gt;&lt;font color=#5588aa&gt;Baltimore&lt;/font&gt;&lt;/a&gt; before that) under Ren&amp;#233; Jacobs and the role of Ernesto in Haydn's &lt;em&gt;Il Mondo della luna&lt;/em&gt; under Nikolaus Harnoncourt. Marie-Aude Roux caught up with her in her apartment on the Kettenbr&amp;#252;ckengasse for an interview (&lt;a href=&quot;http://www.lemonde.fr/culture/article/2009/12/12/vivica-genaux-la-cantatrice-venue-du-froid_1279829_3246.html&quot;&gt;&lt;font color=#5588aa&gt;Vivica Genaux, la cantatrice venue du froid&lt;/font&gt;&lt;/a&gt;, December 13) in &lt;em&gt;Le Monde&lt;/em&gt; (my translation) ...&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://bit.ly/6XaQUZ&quot; target=_blank&gt;Click here to read more&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13384</guid><pubDate>Fri, 08 Jan 2010 05:00:00 GMT</pubDate></item><item><title>High praise on Pappano's Verdi Requiem in San Francisco's Bay Area Reporter</title><link>http://www.angelrecords.com</link><description>&lt;strong&gt;Extraordinary Sweep&lt;/strong&gt;&lt;br&gt;by Timothy Pfaff&lt;br&gt;&lt;br&gt;My own special relationship with the Verdi &lt;i&gt;Requiem&lt;/i&gt; &amp;#8211; nearly everyone who has heard the piece has one &amp;#8211; includes coming within a hair's breadth of once being arrested by the Lao police simply for owning a recording of it. It's a long story that would take the rest of my word count to tell, but I can't help noticing that the experience has made me gun-shy of the &lt;i&gt;Requiem&lt;/i&gt; ever since. The Italians have their superstitions about the piece; I have mine.&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://ebar.com/arts/art_article.php?sec=music&amp;amp;article=678&quot; target=_blank&gt;click here to read more&lt;/a&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13383</guid><pubDate>Fri, 08 Jan 2010 05:00:00 GMT</pubDate></item><item><title>The NY TIMES on the Leif Ove Andsnes Live at the Apple Store event on 12/03/2009</title><link>http://www.angelrecords.com</link><description>&lt;h2 class=entry-title&gt;Is It Live, or Is It iTunes? Apple Store as Recital Space&lt;/h2&gt;&lt;!-- Byline --&gt;
&lt;address class=&quot;byline author vcard&quot;&gt;By &lt;a class=&quot;url fn&quot; title=&quot;See all posts by ANTHONY TOMMASINI&quot; href=&quot;http://artsbeat.blogs.nytimes.com/author/anthony-tommasini/&quot;&gt;&lt;font color=#666699&gt;ANTHONY TOMMASINI&lt;/font&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;
&lt;p&gt;People passing by the new Apple Store on Broadway and &lt;?xml:namespace prefix = st1 ns = &quot;urn:schemas-microsoft-com:office:smarttags&quot; /&gt;&lt;st1:street w:st=&quot;on&quot;&gt;&lt;st1:address w:st=&quot;on&quot;&gt;67th Street&lt;/st1:address&gt;&lt;/st1:street&gt; on Sunday evening noticed something unusual happening inside the spacious salesroom: a pianist playing a grand piano on a makeshift concert platform right next to the towering window wall. &lt;?xml:namespace prefix = o ns = &quot;urn:schemas-microsoft-com:office:office&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;
&lt;p&gt;The pianist was Leif Ove Andsnes, 39, one of today&amp;#8217;s most respected artists, who the night before played the last of three performances of Mozart&amp;#8217;s Piano Concerto No. 23 with Alan Gilbert and the New York Philharmonic. Sunday evening&amp;#8217;s informal free concert at the Apple Store was a new venture for the company. Apple has long presented live performers, including some notable classical musicians in recent years. Yet Mr. Andsnes is the first classical pianist to record live at an Apple store event, a company spokesman said.&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://artsbeat.blogs.nytimes.com/2010/01/04/is-it-live-or-is-it-itunes-apple-store-as-recital-space/&quot;&gt;click here to read more&lt;/a&gt;&lt;/p&gt;&lt;/address&gt;&lt;!-- The Content --&gt;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13369</guid><pubDate>Mon, 04 Jan 2010 05:00:00 GMT</pubDate></item><item><title>Live at the Apple Store: Leif Ove Andsnes - Sunday, January 3, 6:00 p.m.</title><link>http://www.angelrecords.com</link><description>EMI Classics artists and Grammy-nominated pianist Leif Ove Andsnes has recorded over 30 classical music albums with a repertoire that spans from Bach to the present day. Called a &quot;princely pianist&quot; he has won four Gramophone Awards. Join us at the new Apple Store in New York City on the Upper West Side (1981 Broadway) for a not-to-be missed live performance. &lt;br&gt;&lt;br&gt;SUNDAY, JANUARY 3, 6:00 p.m.&lt;br&gt;&lt;br&gt;&lt;a href=&quot;http://www.apple.com/retail/upperwestside/&quot; target=_blank&gt;&lt;strong&gt;click here for more details&lt;/strong&gt;&lt;/a&gt;&amp;nbsp;</description><author>ANGEL RECORDS ARTIST</author><guid isPermaLink="false">EMI925410News13360</guid><pubDate>Tue, 22 Dec 2009 05:00:00 GMT</pubDate></item></channel></rss>